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 "My life with the Accordion" by Ronald E. Hodgson - Chapters 1,2 & 3

"My Life With The Accordion" by Ronald E. Hodgson Ron Hodgson - 1958 Ron Hodgson - 2008I began playing the accordion when I was seven years old. I received an accordion for Christmas 1935.

Latest updates
Accordion of 21-st century

Richard Galliano - French touch

Walshe Essential Guide to Accordion and Harmonica Events

«Harmonica forever!»

Modest Mussorgsky «Pictures at an Exhibition»

«Skomorokhi»: Music of the 20'th Century

Richard Galliano - 15 Titres Originaux

Pietro Frosini - Mariposita (Bolero)

Eugeny Derbenko - Cabman

Melodies Which Are Always With You

Concert musette for accordion

Richard Galliano quartet «New Musette»

Astor Piazzolla - Soundtracks

Boris Kovac and Ladaaba Orchestra «Ballads at the End of Time», «La Danza Apocalypsa Balcanica»

Yury Kazakov «The portrait of the great Bayanist»

A Gotan Project DJ set Espiracion

Accordion in Jazz

Astor Piazzolla - Concerto para Quinteto

Accordion in concert - Part I

Accordion Reader Trilogy

L. Desyatnikov - Tracing Astor

Russian music of the 19 - 20-th centuries

Igor Tsvetkov - Two Pieces for Russian Folk Orchestra

Popular Latin American tunes for chromatic or piano accordion

Terem-Quartet meets friends

Richard Galliano - Viaggio

Richard Galliano & Michel Portal – Concerts

Valery Kovtun - «Tango»

Richard Galliano – New York Tango

Friedrich Lips - Pictures at an Exhibition

Astor Piazzolla - Fugata

Dmitry Manchuk & Miroslav Leliukh - Musical Fantasy

Art Van Damme - Deep Purple

Richard Galliano - Fou Rire

George Gershwin - Rhapsody in Blue (for piano and accordion orchestra)

Andrew Petrov - Marathon in the Fall

Luciano Fancelli - Acquarelli Cubani

Happy Skvett - Kulturprisen

M. Kazhlaev - Scerzo

Michael van Delft - Angel Rocks a Stone Away

Jacques Reuaux, Claude Francois - My Way - Great Frank Sinatra song arranged for accordion orchestra - Parts

Richard Galliano - Tango pour Claude

''Resurrecion'' tango-quartet - Obsessed by the Sun

Richard Galliano - La Valse a Margaux

Bogdan Precz - Fusion

Jazz Accordion Book - Vol. I

Jazz Theory And Improvisation Studies for Accordion

Che, bandoneon - 10 essential tango arrangements - Vol. 1

Astor Piazzolla - Tangus Dei

Richard Galliano - Opale Concerto - Score

Accordion orchestra of 3-d municipal music school (Kishinev, Moldova)

Lithuanian Accordion Quintet "Concertino" (video live concert)

Pablo Ziegler - Bajo Cero

Pavel Smirov Orchestra - Accordion virtuosos from St. Petersburg

Albin Repnikov - Concerto ¹3 for accordion, chamber orchestra and percussions - Score

Pavel Smirov Orchestra - My Saint Petersburg

M. Blanter - In The Gardens

Astor Piazzolla - Yo Soy Maria

Lithuanian Accordion Quintet «Concertino» - Compositions from the repertoire of the ensemble - Vol. 2

B. Martjanov - Moldova Fantasy

«Milonga» Instrumental Trio – Compositions from the repertoire of the ensemble - Vol. 2

«Milonga» Instrumental Trio – Compositions from the repertoire of the ensemble - Vol. 1

«Milonga» Instrumental Trio – Compositions from the repertoire of the ensemble - Vol. 3

Jacques Reuaux, Claude Francois - My Way - Great Frank Sinatra song arranged for accordion orchestra - Score

Anatoly Lyadov - Musical Snuffbox

Yu. Peshkov - Black Eyes - Russian romance arranged as a concert piece

Charlie Shavers - Breeze in a Waste

Christine Boll – Partita Piccola

Teddy Randazzo, Bobby Weinstein - Going Out of My Head - Great Frank Sinatra song arranged for accordion orchestra - Score and Parts

Victor Vlasov - Bossa Nova

Pietro Frosini - Carnival of Venice

Victor Vlasov - I Like this Rhythm

Thomas Fundora & Morris Albert - Feelings

Mikis Theodorakis - Quarter of Angels

George Hammel - Pantoufle de Vair (concert polka for accordion)

Volodymyr Zubytsky - Omaggio ad Astor Piazzolla

In the Footlights

The Beatles Potpourri

Jacob Gade - Tango Jalousie

Lasse Pihlajamaa - Harmonikkasävellyksiä

Eddy Flecijn – Capriccio

Pascual Marquina - Spanish Gipsy Dance

Popular Waltzes

Libertango tango hits

Moon Serenade

History of Musicals

Astor Piazzolla – 10 tangos

From Bach till Offenbach

Richard Rodgers and Lorenz Hart - Blue Moon

Beny Rehmann - Schiffsfeger-Polka

F. Canaro - Tango

Gerhard Winkler - Toulouse

Albert Vossen - Merry-go-round

Gerhard Winkler - Serenade Napolitano

J. Rid - Last Waltz

Yann Tiersen - Le Moulin

Yann Tiersen - Naomi

Bert Kaempfert - Strangers in The Night

Luiz Bonfa - Manha de Carnival

Cajun of Luisiana State (for banjo and accordions)

George Boulanger - Da Capo

Eugene Derbenko - Rythm of Time

I. Panitski - Snowball Tree

A. Murena and J. Colombo - Indifference

Hubert Giraud - Sous le Ciel de Paris

Toto Cutugno - Soli

Fermo Marchetti - Fascination

Victor Vlasov - Boogie-Woogie

J McHugh - Black Birds (Black spiritual arranged for accordion)

S. Scott - Jungle

Tikhon Khrennikov - Moscow Windows (jazz song arranged for accordion duo)

Paul Norrback - Happy Moments

Charlie Chaplin - Limelight (waltz arranged for accordion)

Victor Vlasov - Silent Films

Victor Vlasov - Good Afternoon

Victor Vlasov - Cartoon

20 Tiny Fingers - English folk song

A. Joys - Autumn Dream

Jazz-Legato - Lerov Andersson (for accordion duo)

Vladimir Popolzin - In The Saloon

S. Scott - Ballade

Victor Vlasov – Jazz Miniatures

Victor Vlasov - Disco (from Jazz Miniatures Book)

Victor Vlasov - Let us Swing (from Jazz Miniatures Book)

Victor Vlasov - Siamese (from Jazz Miniatures Book)

Victor Vlasov - This Rythm (from Jazz Miniatures Book)

Victor Vlasov - Step (from Jazz Miniatures Book)

Unto Jutila - French Visit

Renzo Ruggieri - Carnevale

Jimmy Giordanengo - La Huette (waltz for solo accordion)

Albert Vossen - Fliegende Blatter

Vittorio Monti - Czardas

Victor Vlasov - Mood (for solo accordion)

Victor Vlasov - Syncopes (for solo accordion)

Unto Jutila - Samba

Pietro Frosini - Jolly Caballero

Karl Noack - Parade of Dwarves (for ensemble or orchestra)

Valery Kovtun - Brilliant Waltz (for solo accordion)

Pintin Castellanos - La Punalada

Finish Polka

Anne Dudley - Jeeves and Wooster

Astor Piazzolla - Four Seasons in Buenos Aires - Score

Astor Piazzolla - Four Seasons in Buenos Aires - Parts

Luciano Fancelli - 10 km. al Finestrino

Luciano Fancelli - Pupazzetti

Georgy Mushel - Toccata

Albin Repnikov - Capriccio

Paolo Pizzigoni - Light and Shadow

Grigoras Dinicu - Hora Stacatto

Eduardo di Capua - O Sole Mio!

Ernesto Lecuona - Malaguena from «Andalucia» Suite

Andre Astier - Grande Valse De Concert

Andre Astier - Divertissement

Andre Astier - Fantaisie En Mi Mineur

Andre Astier, Marcel Azzola - Systeme «A»

Andre Astier, Maurice Larcange - Accordeon Steeple

Andre Astier, Yvette Horner - Polka Satellite

Volodymyr Zubytsky - Ti Amo, Pesaro

Joaquin Rodrigo - Concierto de Aranjuez, Adagio

Antonio Vivaldi - Concerto f-moll from The Four Seasons

Arnstein Johansen - Cornelli (polka)

Medard Ferrero - Averse

Polka Favorites

Latin Favorites

Joey Miskulin - Accordion Styles and Techniques (DVD)

Paris Musette - Freddy Balta and his Accordion

Teach Yourself To Play Accordion

Waltz Favorites

Metodo Per Fisarmonica (Accordion)

Latin American Dances

Richard Galliano - Opale Concerto - Parts

Vladimir Chernikov - Lonely Harmonica - Yablochko

Niccolo Paganini - Caprice No. 24 in A minor

Andrew Lloyd Webber - Memory

John A. Dallas - Helen Waltz

Maurice Larcange & Michel Mercier - Javaccordeon

Franck Angelis - Valse du Cloun

Franck Angelis - Impasse

Ole Schmidt - Toccata no. 1

Astor Piazzolla - Contrabajissimo - Score

Yann Tiersen - La Noyee

Jack Fina - Bumblebee Boogie

Vl. Zolotarev - Conteplating The Dionisian Frescoes of St. Ferapontov Monastery

Heitor Villa-Lobos - Dance of The White Indian

Filippo Marino - Cristina

Tony Murena & Louis Peguri - Joyeux Vagabond

Pietro Frosini - Spic and Span

Hans Brehme - Divertimento in F

Pietro Frosini - Accordion Jitters

Astor Piazzolla - Concerto Aconcagua for bandoneon, chamber orchestra and percussions - Score

Oscar Peterson - Laurentide Waltz (from The “Canadiana” suite)

Con Conrad & Herb Magidson - Midnight in Paris (bolero)

Samuel Barber - Adagio from String Quartet No. 1

Pietro Frosini - Love Smiles

Albin Repnikov - Concertino

Victor Vlasov - The Fest In Moldavanka

Art Van Damme - Boogie-Woogie

Albert Vossen - Brusseles Laces

Yann Tiersen - Les Quatre Pieces

Frank Marocco - Appassionato

Che, bandoneon - 10 essential tango arrangements - Vol. 2

Astor Piazzolla - Cite Tango

Astor Piazzolla - Meditango

Astor Piazzolla - Un dia de paz

Astor Piazzolla - Libertango

Astor Piazzolla - Tres Tangos

Astor Piazzolla - Ave Maria

Astor Piazzolla - Concierto de Nacar - Score

Astor Piazzolla - Tangata del Alba

Accordion in Concert - Part II

Astor Piazzolla - Double Concerto - Score

Argentinian Tango and Folk Tunes for Accordion: 36 Traditional Pieces

Jean Francaix - Concerto for accordion and orchestra

Isang Yun - Concertino for accordion and string quartet

Darius Milhaud - Suite Anglaise

Astor Piazzolla - Adios Nonino for accordion orchestra and piano

Klezmer and Sephardic Tunes

Astor Piazzolla - Concerto Aconcagua for bandoneon, chamber orchestra and percussions - Parts

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MP3 Monday: Bellowhead
Aug., 10, 2009
In 2004, English folk duo Spiers and Boden set out to gather a collection of musicians well-versed in many styles — big band, soul, jazz, classical — but who would still play traditional English dance tunes and songs. The result was Bellowhead, an 11-piece English-folk-meets-brass-band ensemble that has racked up an impressive collection of awards and rave reviews in its first five years. Their live performances in particular — which are designed to get the entire crowd up and dancing — have earned them a reputation as one of Britain’s best live acts, regardless of genre. Trombone, saxophone and trumpet slug it out with melodeon (button accordion), fiddle, and bouzouki in a bold, high-energy mix that often sounds more like New Orleans than London. The track below comes from their first album, Burlesque, and features the accordion playing of band founder John Spiers.

Bellowhead: Sloe Ginmp3

Buy Burlesque by Bellowhead

Maestros del Joropo Oriental
Aug., 10, 2009
Over the years, Smithsonian Folkways — the Smithsonian Institution’s non-profit record label — has done an amazing job documenting and sharing the musical heritage of cultures around the world. The latest example is Y Que Viva Venezuela! featuring an all-star group of Venezuelan musicians performing joropo oriental.

Joropo is a popular folk style found across Venezuela and Colombia; it’s a fast, string-driven music resembling the waltz, with both African and European influences. Joropo oriental is a flavor of joropo rooted in Venezuela’s eastern coast around the city of Cuman. The bandola and bandoln are key instruments, often joined by cuatro, maracas, and caja. The button accordion isn’t always found in joropo oriental, but accordionist Mnico Mrquez makes the most of its appearances in this collection.

Name That Accordion: Sonova?
Aug., 10, 2009
Time to put on your Sherlock Holmes hat and settle in for another edition of “Name That Accordion.” Today’s accordion comes from reader Alper K., who believes this accordion is originally from Romania, but has been unable to identify the brand. The nameplate isn’t clear to me — is that “Sonova”? “Sonora”? “Fonova”? Click here for more photos and leave a comment if you have any ideas.

Accordion Jazz classes at Knuston Hall with Bert Santilly 29th/31st May 2009
Apr., 19, 2009


 

Accordion Jazz - begins on the 29 May 2009 at 5:30PM
and ends on the 31 May 2009 at 3:30PM

You are welcome to arrive from 17:30 to settle into your bedroom. The bar is open from 18:15 with dinner at 19:00. The course starts after dinner at approximately 20:15

 

 Tutor is  Bert Santilly

 

Accordions International 2009 - May 9th to 13th
Apr., 19, 2009

"Accordions International 2009", organised by Heather Smith, takes place from
at the Dunes Conference Complex, Pontins Holiday Centre, Lytham St Annes, Blackpool, Lancashire. FY8 2SX


The guest artistes booked to date include: Alexander Dmitriev and Vitaly Dmitriev (Russia), Pino di Modugno (Italy),
Giancarlo Caporilli (Italy), and the UK's Romano Viazzani, Stefan Andrusyschyn and Denise Leigh (soprano),
Bert Santilly and Harry Hussey.


This accordion festival shares the Pontins site with an organ/keyboard festival,
which has a large and very interesting trade show open to all.
 Workshops take place during the day and there are concerts each evening,
plus after hours jam sessions in the Queen Vic pub.


The ballroom and Queen Vic are open to both accordion and organ/keyboard festival participants.
The trade show to date includes Geoff Holter Accordions, The Accordion Shop and John Douglas Music.


For further information email: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it
 
Blair Kilpatrick Answers More Questions
Mar., 29, 2009
Today we’re closing the book, so to speak, on our Q&A series with Blair Kilpatrick, author of Accordion Dreams: A Journey into Cajun and Creole Music. In her last set of responses, Blair discusses her accordion collection, the SF Bay Area Cajun/Zydeco scene, and her dream “accordion lunch.”If you could have lunch with the accordion player of your choice, who would it be and why?That’s a difficult one. There are two Louisiana legends from the past I’d love to meet: Creole accordionist Amde Ardoin (1896-1941) and Cajun accordionist Iry LeJeune (1928-1955). Iry, who recorded much of the core Cajun repertoire, was heavily influenced by Amede, so I imagine they’d enjoy getting together. That would be a wonderful fantasy lunch—even though I’d have a hard time keeping up, since the conversation would be all in French.But if I had to choose, I’d share one more meal with Creole accordionist Danny Poullard, my friend and teacher, who died in April of 2001. He was the guiding spirit of the Bay Area’s Cajun-zydeco scene. He gave away his music so freely—he had weekly jam sessions at his house, and he was so proud of his many protg’s who went on to play in bands of their own. He also taught at music camps all over the country. My band was the final one to be shaped by his garage jam sessions. He even suggested our name, Sauce Piquante. He heard us perform as a full band just once, five days before he died.So I’d love to bring him back to let him know how things are going—and to tell him he’s not forgotten. I hope he’d like my book. So much of Accordion Dreams is about my time with Danny. He was a tough but loving mentor—so I’m sure he’d offer a few tips about my accordion playing—and maybe even about the book, too!What do you think makes the SF Bay Area Cajun/Zydeco scene so vibrant?When I moved here in 1997 from Chicago, I felt like a kid in a candy shop. There were at least twenty local bands playing Cajun and zydeco music, any number of venues, and regular appearances by touring out-of-state bands. You could go out dancing every night of the week and often you’d have more than one choice. These days, things have slowed down a little. But it’s still the most active and vibrant Cajun-zydeco scene outside the Gulf Coast. Just check the online calendar. (We still have twenty homegrown bands listed!)The Bay Area is unique because of the presence of such a large number of people with roots in Louisiana—Cajuns, but especially Creoles, who began to migrate to California in the 1940’s. They left Louisiana and East Texas in search of economic opportunities and a more open social climate. In the San Francisco Bay Area, these Louisiana transplants tried to keep their culture alive through music—at house parties and Catholic Church dances, and eventually in more commercial venues. The local Creole community produced a number of musicians, including famed zydeco accordionist Queen Ida Guillory, as well as my late friend and mentor Danny Poullard (see below) who had a hand in shaping most of the Bay Area bands playing today.Most people agree that the Creole community provided the foundation for the local music scene. But the other important piece is the strong tradition of folk and world music in the Bay Area. Fiddlers, especially, were drawn to Cajun music—many spent time in Louisiana studying the music. But they also discovered a thriving Louisiana French community right here.So the current scene represents the coming together of two groups: Creoles, as well as some Cajuns, with roots in Louisiana; and then the outsiders—people like me—who have been drawn to the music and culture. It’s a unique community of musicians and dancers—and a pretty wonderful one.How many accordions do you have? Which is your favorite and why?The accordion head count currently stands at eight—if you include my two toy accordions, a “starter” Hohner on permanent loan to my rock guitarist son in NYC, and the piano accordion I’ve never learned to play.It’s tough to pick a favorite. I’m attached to them all—and there is a story behind each one.I have three beautiful handmade Cajun accordions. For those who don’t know: a Cajun accordion is a single row diatonic instrument, with ten buttons on the treble side, two on the bass side, and four stops corresponding to four banks of reeds. Cajun accordions tend to be “dry-tuned”—which creates less of a tremolo sound. The first two were made by Larry Miller, a well-known builder, now retired, who lives in Iota, Louisiana. The first one, in the key of C, was crafted from a piece of driftwood Larry found on the shores of Holly Beach, a Gulf Coast resort. A few years later, I discovered singing was easier for me in a higher key. So then I asked Larry to make a D. He used an unusual reddish South American wood whose name escapes me at the moment.A few years ago, I had a second D accordion made by Jude Moreau, a Cajun musician friend and instrument maker who lives in Texas. At my request, this one was slightly “wet-tuned.” It has a few other custom touches and a personal inscription inside. Unlike the other two, which have a natural wood finish, this one is a bright shiny red. (Like a candy apple, as one friend observed.) I think of this one as my “flashy” accordion—the one I use most often for performing. (You can also see it in my photo.) If have to pick a favorite, I guess this is it!The first accordion I tried to play was an oddball little number I found in a music store in Chicago. The owners, an elderly German couple, told me it had been in storage for just a few years. It turned out to be an antique—probably going back to the 1920s-30s! It is a very primitive single row diatonic accordion made by the Eagle Company in Germany. Very flimsy, weighing about two pounds, two banks of reeds on a single plate, high pitched, key of G. Basically, it’s a glorified harmonica. As famed Louisiana accordion builder Marc Savoy explained to me, it is an unplayable instrument—though it could have some value as a collector’s item. So now it sits on display in our dining room, in an old china cabinet—also an antique, from my Slovenian grandparents’ house in Cleveland.(Cajun accordion fans may recognize the Eagle name: this is the same company that made the famed Monarch and Sterling accordions, the preferred choice in Louisiana until the German-made accordions became unavailable during World War II.)When I gave up on my crazy little Eagle accordion, my husband Steve bought me my first decent Cajun-style accordion. It was factory made: a Hohner 114, the so-called “Hohner Cajun C.” This was an adaptation of the standard single row diatonic instrument Hohner had made for years. It was designed to resemble the much loved “tit noirs”—the black Monarch and Sterling accordions that had been favored in Louisiana. At the time, it was considered the best alternative to the hand built Louisiana accordions: more affordable, but still a very solid instrument for a beginner. (Note: the is not the same thing as the less expensive Ariette Cajun-style model currently made by Hohner.) The two toy accordions, both in the key of C, have seven treble buttons, two stops—and surprisingly decent reeds. I bought the first one at a gas station in Louisiana for about $14, on one of our first family trips there, as a gift for our kids. The second one I bought more recently, at a discount store, to take along as a practice instrument on a trip to the Balkans.The piano accordion? It was another gift from Steve. It’s made by Francini. It’s considered a “ladies’ accordion” because it is built on a slightly smaller scale. (It’s also a very ladylike pearly white!) But otherwise, it’s full size, with 24 white treble keys and 120 basses. I tried to play it a little when I first got it, but I couldn’t get the hang of it. I kept thinking I had to change the bellows direction when it wasn’t necessary. So I gave up.Thanks again to Blair for answering all our questions. Be sure to check out her new book, Accordion Dreams: A Journey into Cajun and Creole Music.
MP3 Monday: Irish Punk for St. Patrick’s Day
Mar., 29, 2009
After two weeks of shuffling boxes back and forth between our old and new homes, we’re back and ready to squeeze. And since we’ve left you high and dry for so long, we’ll make up for it with not one, but two tracks to add to your St. Patrick’s Day party playlist.Metromix Denver put together a fun field guide to Irish punk bands and, of course, all such lists begin with the genre’s creators: The Pogues. Mixing traditional Irish instruments like the accordion and tin whistle with punk rock attitude and politically-charged lyrics, The Pogues are the blueprint that all other Irish/Celtic punk bands follow. This track features some nice accordion work by The Pogues’ accordionist, James Fearnley:The Pogues: Streams of Whiskeymp3Buy Red Roses for Me by The PoguesFlogging Molly approaches the Irish punk sound by melding old and new world — leader Dave King grew up in Dublin, but has spent most of his adulthood in Los Angeles. Named in honor of the L.A. club where the band cut its teeth, Flogging Molly have built a strong following over the years and their latest album, Float, cracked the top 5 in Billboard’s album chart last year. Skateboarder turned accordion player Matt Hensley squeezes the box for Flogging Molly:Flogging Molly: Tobacco Islandmp3Buy Within a Mile of Home by Flogging Molly
London Concertante returns to Wigmore Hall - SUNDAY 22 MARCH, 7.30pm
Mar., 15, 2009
 
London Concertante returns to The Wigmore Hall
  
SUNDAY 22 MARCH, 7.30pm
WIGMORE HALL, Wigmore Street, London
 
 
ZUM's fiery fiddle player (Adam Summerhayes) and supreme cellist (Chris Grist) can be seen wearing their rather more serious and somewhat more sedate hats as they perform with the highly acclaimed chamber ensemble, London Concertante, at London's Wigmore Hall.
 
Strauss - Till Eulenspiegel, einmal anders
Francaix - Octet
Schubert - Octet

Tickets: £12 - £22

Box Office: 020 7935 2141
London Concertante returns to Wigmore Hall with a stunning programme including one of the finest pieces of chamber music – Schubert’s magnificent Octet, together with Strauss’s playful Till Eulenspiegel – einmal anders and Françaix’s wonderfully exuberant ‘A Huit’ written to be performed with the Schubert.
 
London Concertante
Adam Summerhayes (violin)
Judith Templeman (violin)
Matthew Quenby (viola)
Chris Grist (cello)
Benjamin Griffiths (double bass)
Mark Smith (horn)
Elizabeth Drew (clarinet)
Benjamin Hudson (bassoon)


Strauss Till Eulenspiegel – einmal anders
Françaix Octet
Schubert Octet in F D. 803
 
An absolutely superb performance'  The Strad
‘Thrilling virtuoso playing’  Gramophone 
 



For more information, go to:
 
 
 
ALERT!!! - ACCORDION STOLEN - LONDON (Update).
Mar., 15, 2009
ACCORDION STOLEN - LONDON - Thursday 5th March 2009
.
Dear UKAO,

Just to advise everyone that a Black Fantini-Allodi CP11 Double Cassotto 120 Bass accordion was stolen from me today, Thursday 5 January.
.
Black Fantini-Allodi CP11 Double Cassotto 120 Bass Accordion
.
Above is a photo of a similar instrument of the same model.
(I cannot recall exactly if this one had the Fantini or Allodi name but whichever it was, it was written in chrome lettering).The serial number (marked inside the accordion) is either 789 or 790.
 
The "customers" were 3 Romanians including a female, who hid the instrument under her skirt.
 
It is my asumption that they will try to sell this instrument on, and therefore I want you all to be warned & also to guard against them trying to steal from you as well. 
.
Should they come to you or phone you to ask if you'd buy it, please contact the police.
.
With thanks for your help!
 
Emilio
 
Allodi Accordions
Dear All,
 
Thanks first of all for all your responses of support.
 
Just remembered something else that might be useful in identifying these thieves - they also own a Hohner Atlantic T accordion, double octave tuned I believe, and some of the keys in the middle of the keyboard have been damaged so they could feasibly come in to request repair quotes on this instrument, or in a ruse to be in your shop to steal something else. For your protection in case they try it with you, the player of the three may be a Polish gypsy rather than Romanian, but it's difficult to say for sure.  He has quite a dark complexion.  The two men are quite tall approx 6 foot in my opinion, around the 30s age but the woman looked older, and was dressed in a black voluminous pleated long skirt.
 
There is half a chance that they sent someone different to the shop yesterday, Tuesday 10 March, to buy a case for it.  I have no way of knowing for sure, but it makes sense if they are planning to try to sell it on to any of you to look as bonafide as possible.  The case is a deluxe Italian square hard case in a lightish grey colour with dimple effect on the outside with plush grey fabric interior. Photo above.
 
Thank you all again.
 
Emilio
Accordionist Ksenija Siderova at Sussex University
Mar., 1, 2009
 
Ksenija Siderova
CROMT production of Stefano Gervasoni's Pas si, Sussex University.CROMT's production of Pas si was shown at the 4th symposium of the Dramaturgie Musicale Contemporaine en Europe project, held in Paris in November 2008. Stefano Gervasoni's short music-theatre work (1998/revised 2008), is based on a non-theatrical text by Samuel Beckett from his collection entitled Mirlitonnades of 1978, and is described by the composer as "Teatrino ambulante" for accordionist and two singers.The piece is directed by Nick Till, and is presented in association with Electric Voice Theatre (Frances M. Lynch and Margaret Cameron), with accordionist Ksenija Siderova, projections by Lorna Heavey and costumes by Tina Waugh. http://www.electricvoicetheatre.co.uk/The production will be shown at the "Beckett and Music" symposum at the University of Sussex, February 26th and 27th 2009.
Alan Young at The Black Country Accordion Club
Mar., 1, 2009
Alan Young
B65 9AT
A brand new accordion club, the Black Country Accordion and Music Club, based at the Rowley Regis Disability Centre, Rowley Village, Rowley Regis, Birmingham B65 9AT

The organiser is professional accordionist Barry Smith, and meetings will be held on the fourth Monday of the month. The guest artistes booked to date include:

February 23rd – Alan Young
March 23rd – North Staffs Accordion Band
April 27th – Pearl Fawcett-Adriano

For further information email: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Black Country Accordion & Music Club and our meetings will normally be held at Rowley Regis Disability Centre, Rowley Village, Rowley Regis, B65 9AT. on the fourth Monday of the Month.

Monday February 23rd we have Alan Young entertaining from the Isle of Wight.

Monday March 23rd March we have the North Staffs Accordion Band

Monday April 27th Pearl Fawcett - Adriano will be entertaining us.

We are trying to get a cross section of players to please all musical tastes and to try to encourage youngsters to take up the accordion, any help that you can give us to publicise the club would be very much appreciated.

Thanks for your help!

Yours faithfully ,

Barry Smith - Chairman
 
How Many Hippies? 17 Hippies
Mar., 1, 2009
They aren’t really hippies. In fact, there aren’t even 17 of them (13 at last count). But that hasn’t stopped Berlin’s 17 Hippies from rolling dozens of genres — Eastern European folk, French chanson, Cajun/zydeco, and more — into a unique pop style all their own. Lyrics sung in German, French, and English somehow all feel at home when layered over accordion, ukulele, banjo, clarinet, bouzouki, and trombone. When the band first started, members intentionally chose instruments they had never touched; twelve years and 1200 concerts later, they’re still playing traditional tunes and instruments in an entirely untraditional way.Last year, 17 Hippies played at Mountain Stage in West Virginia; you can listen that entire, high-energy appearance online at the NPR website. And if I haven’t sold you enough, here’s a track off their excellent 2007 album, Heimlich:17 Hippies: Rustemulmp3
MP3 Monday: La Strada
Mar., 1, 2009
Without releasing a record, Brooklyn’s La Strada has already built a loyal New York City following; so their fanbase should balloon after the release of their self-titled debut EP next Tuesday, February 24th. With swelling strings, soaring harmonies, and (of course) plenty of accordion, this passionate seven-piece is well on their way to removing the word “next” from their “next big thing” promise. To me, their sound is somewhere between Beirut and DeVotchKa — marrying old-world folk/Balkan stylings with modern American rock and then running away with it to join the circus.La Strada: The Sun Songmp3Buy La Strada by La Strada
Blair Kilpatrick Answers Your Questions
Mar., 1, 2009
Recently, we asked readers to send in their questions for Blair Kilpatrick, author of Accordion Dreams: A Journey into Cajun and Creole Music. Thanks to everyone who responded — and congratulations to Mister Anchovy, who won our drawing for a free copy of the book. Today, in her first set of responses, Blair describes how she was drawn to the accordion and the musical life that she and her husband share.What inspired you to choose the accordion, as opposed to another Cajun instrument?Good question. But I never did choose the accordion. It chose me.It came to me in a dream. Literally. A series of recurring dreams, strange and vivid. I was at one with the instrument, almost dancing with it. It felt like the accordion was playing me. I’d wake up in the morning with the sensation still lingering in my hands. This was peculiar, since I wasn’t a musician and had no memory of ever laying my hands on an accordion.My unlikely passion for Cajun music had begun on a birthday trip to New Orleans, when I heard some recorded music — it was a Beausoleil tape — on a swamp tour. After that, I became consumed with the sound: buying up cassette tapes, listening constantly, going to monthly dances put on by Chicago’s one and only homegrown Cajun band. After nine months of listening, dancing, and dreaming music, I finally gave in: I had to find an accordion.So it didn’t feel like a choice or decision — it was more like succumbing to a consuming passion. A sensible person would have stuck to Cajun dancing, or maybe picked up the guitar or triangle as a first instrument. (Later on, I did learn to play them both, along with some very basic fiddle.) After the fact, I’ve tried to analyze what it is about the particular sound of the Cajun accordion that appeals so strongly to me. My first teacher at music camp, a very young Steve Riley, described it this way: loud and crude. It is, in some ways. Cajun accordion also has a very percussive quality, because of the inherent nature of a single row diatonic instrument. It’s like the wild skirl of the bagpipes or the wail of a blues harmonica — it moves you. Or it doesn’t.More recently, I’ve begun to suspect the accordion resonated so strongly for me because of my Slovenian roots, which were mostly discounted when I was growing up. But that’s another story.If your husband was not already in the music / performance field, would you have had the same passion and devotion to accordion music?I read this question to my husband. Here’s his short answer, after he got done laughing:“And what music/performance field was that?”Here’s my longer answer: It was the other way around. My passion and devotion to Cajun music pulled Steve back into an active music life. But I do know this: I would not have been able to pursue my music — or my writing — without his love and support. That’s why Accordion Dreams is dedicated to him. He opened the door — by taking me on that fateful birthday trip to New Orleans. (Our older son later wisecracked: “Lucky thing Dad didn’t take you to Milwaukee on your birthday. You might be playing polkas.”)A little more about Steve: Like me, he wasn’t musically inclined in his early years. But when he was in his twenties, he fell into playing mandolin with a ragtag bluegrass band called The Foggy Headed Boys. (We had moved to North Carolina, where I pursued a Ph.D. at Duke.) The band played mostly for college parties and the occasional coffeehouse gig. Steve enjoyed it, but when we returned to Chicago he left it all behind. His mandolin playing became a casual solo affair—around the house for our own kids, or for the students at the school where he worked.Thirteen years later, when I fell in love with Cajun music, Steve had only recently started to get back to bluegrass. I was the one, in fact, who pushed him into taking a bluegrass ensemble class. At first, he was slow to warm up to Cajun music, although he completely supported my interest in it, and he was happy to accompany me to music events. (He wasn’t too crazy about the dance lessons, though!)Then, about a year after I got my first accordion, I bought Steve a fiddle. Little by little, he got more involved. Today, he is as committed to Cajun and Creole music as I am. Along with fiddle and mandolin, he plays a fine rhythm guitar. He draws the line at the accordion — he considers it an “impossible” instrument! I think every couple should play music together. We’ve shared some wonderful adventures. We’re never bored. I never have to worry about where to find a fiddler or a dance partner. And we keep each other out of trouble.Blair will answer more reader questions in the coming weeks. Meanwhile, check out her new book, Accordion Dreams: A Journey into Cajun and Creole Music.
The Big Squeeze Accordion Throwdown
Mar., 1, 2009
Are you ready to put your squeezebox skills to the test? Texas Folklife is looking for the most amazing young accordion players in Texas and Louisiana for its annual Big Squeeze accordion contest. You could win cash, a trip for two to play in Germany (courtesy of Hohner), and a day of recording at SugarHill Studios in Houston. Finalists will battle it out before a huge crowd on June 6th at the 20th Annual Accordion Kings & Queens festival. Contestants must be age 25 or younger and the entry deadline is March 1st; check the Texas Folklife site for details.
Start ‘Em Young: Pint Size Polkas
Mar., 1, 2009
We’re just starting to explore the vast world of children’s music, but Pint Size Polkas by Uncle Mike and his Polka Band already sounds like a must-have for our collection.Creator and Wisconsin polka musician Mike Schneider first heard polka music when he was five years old and, even then, the bouncy rhythms made a lasting impression. He recorded Pint Size Polkas “to help children and their families discover the good, clean fun that you will experience with polka music.” With songs like “Alphabet Polka,” “Numbers Schottische,” and “Tiny Bubbles in the Tub,” children will learn about the alphabet, numbers, and even hygiene while dancing to a polka beat.If you’re in the Midwest, keep an eye on your local news — Mike’s been doing a number of local TV appearances over the past few weeks. If you miss those appearances, you can catch the video for “Jolly Lumberjack Polka” on YouTube.Uncle Mike and his Polka Band: Jolly Lumberjack Polkamp3Buy Pint Size Polkas by Uncle Mike and his Polka Band
Rene Sopa - New CD
Mar., 1, 2009
New CD - Click Here!www.myspace.com/soparene         This e-mail address is being protected from spam bots, you need JavaScript enabled to view it http://www.renesopa.com          Tel : +33(0)6 16 53 26 35
Accordions at Morley College - News Update
Feb., 9, 2009
Accordions at Morley resumes on Friday (6 February)

We start again after the Christmas break next Friday, 6.30 for 7.00 as usual.  We'll be starting work on Rhapsody in Blue.

This term's meeting dates will be:

6th & 13th February, 6th & 13th March, 3rd April

Fees unchanged at £7 (£4 concessions) per session, or (preferably) join for the term at £28 (£16 concessions).

Look forward to seeing lots of you then!

Neil Sanders - This e-mail address is being protected from spam bots, you need JavaScript enabled to view it http://www.morleycollege.ac.uk/
Eastbourne Accordion Festival is just a fortnight away!
Feb., 9, 2009
Eastbourne Accordion weekend at The Queens Hotel
Your Last Chance to book for this fabulous packed weekend of "Accordion Talent" (10 Artistes) and "Accordionistic Camaraderie"For information/bookings - please call: 01323-733700 (John or Jackie)Friday 20th February - Monday 23rd February 2009
Give John or Jackie a bell on 01323-733700
ArtistesSteve Roxton     Stefan Andrusyschyn    
Ian Watson      Julie North  Angie Lukins        Richard Adey     Harry Hussey     Antonio Spacccarotella   Gennaro Fiondella    John Romero
Teachers
Sue Bennett     Gennaro Fiondella     Harry Hussey     Angie Lukins     Julie North     Trevani     Ian WatsonOrganisations and Traders
The Accordion Shop     Carillon Studios      Stan Mayhew     Trevani Music & Gifts     UKAO
The PARIS - MOSCOW DUO announces the release of their new DVD
Feb., 9, 2009
http://www.accordions.com/duo/
 
Programme du DVD:
 
1) W. Mozart "Adagio" du concerto en La majeur                               
 
2) N. Risol "Kazachok" (variations sur un thème Ukrainien)                          
 
3) Arrgt. M. Larcange "Coucou"                                                    
 
4) G. Dittel "Fantaisie Russe"                                                           
 
5) J. Baselli / J. Rossi    "Boutade"                                                     
 
6) A. Shalayev  L'hiver                                                                        
 
7) A. Piazzolla "Ave Maria" 
                                                                
 8) J. S. Bach "Scherzo" (Badinerie) 
                                               
 
   1    2    3    4    5    6    7    8    9    10    11    12    13    14    15    16    17    18    19    20    21    22    23    24    25    26    27    28    29    30    31    32    33    34    35    36    37    38    39    40    41   42    43    44    45    46    47    48    49    50    51    52    53    54    55    56    57    58    59    60    61    62    63    64    65    66    67    68    69    70    71    72    73    74    75    76    77    78    79    80    81    82    83    84    85    86    87    88    89    90    91    92    93    94    95    96    97    98    99    100    101    102    103    104    105    106    107    108    109    110    111    112    113    114    115    116    117    118    119    120    121    122    123    124    125    126    127    128    129    130    131    132    133    134    135    136    137    138    139    140    141    142    143    144    145    146    147    148    149    150    151    152    153    154    155    156    157    158    159    160    161    162    163    164    165    166    167    168    169    170    171    172    173    174    175    176    177    178

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Jul., 24, 2017
Dear accordionists, Sheet music and scores in digital section uploaded on Accordionist.Net Project. We send sheet music directly to your e-mail within 24 hours without shipping expenses. Note the file format you want to receive your sheet music in. You can do it in “Comments” area when completing your order.

Oct., 11, 2016
New sheet music and scores for accordion added featuring Art Van Damme, Jack Fina, Luiz Bonfa, Yann Tiersen etc. Sheet music is available to order via e-mail.

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